Fifteen years designing and animating for live sports TV, brand identity, and 2D motions have shaped a career built on visual storytelling under pressure and repeatable creative systems. Now channeling that experience into AI-driven motion and brand design, creating scalable visual frameworks that help complex products feel intuitive and trustworthy.

Experience

FANDUEL
SENIOR MOTION GRAPHICS DESIGNER

NOVEMBER 2022 - PRESENT

  • Designing and animating broadcast graphic packages and 2D motions from scratch including lower thirds, transitions, and live segments while establishing templates for high-turnaround daily production

  • Conceptualizing and building brand identity and visual design systems for FanDuel TV’s
    on-air presence, including the crawl and daily show franchises such as FanDuel TV Racing and Coaches’ Corner

  • Leading cross-departmental projects in collaboration with Art Directors, Production, Animators, Chyron/XPression developers, and designers, maintaining brand consistency and scalable motion design standards

  • Developing organized file structures and design asset libraries, establishing repeatable motion workflows across live and post-production teams

  • Introduced to project management through Asana, taking ownership of end-to-end task coordination for XPression developers, animators, and designers while simultaneously contributing as a hands-on designer within the same projects

  • Integrated AI-forward creative tools, such as Claude, into the motion design process, bridging emerging technologies with broadcast production workflows

TURN 14 DISTRIBUTION
GRAPHIC DESIGNER

AUGUST 2022 - OCTOBER 2022

  • Produced daily marketing press releases and banner advertisements, driving product and brand visibility across the company’s mainstream website

  • Conceptualized monthly informational slides for internal news and company events, establishing consistent creative frameworks across the team

ESPN | JUNE 2015 -APRIL 2022
MOTION GRAPHICS DESIGNER

MARCH 2017 - APRIL 2022

  • Designed visual storytelling content for linear shows, website articles, and sports advertisements optimizing layouts and user experience across platforms

  • Established standardized creative processes for layout, content, and visual graphics, enabling consistent and scalable design delivery across cross-functional teams

  • Served as the primary creative authority on show production branding, developing team design standards through weekly critique sessions and hands-on mentorship

  • Designed large-format prints for high-profile broadcast programs including award ceremonies and championships

  • Consistently recognized for 2D animation work that exceeded company standards, leveraging After Effects and Photoshop throughout production

ASSOCIATE MOTION GRAPHICS DESIGNER
JUNE 2015 - MARCH 2017

  • Executed daily graphic demands for studio production across linear broadcast and
    streaming platforms

  • Communicated directly with visual and operational leaders to ensure timely delivery of adjustments in high-volume, fast-paced environments

  • Emerged as a show lead, fostering a collaborative cross-functional creative culture

DESIGN FREELANCE
JUNE 2014 - PRESENT

  • Designed logos and brand identities for various businesses, crafting visuals that connect with the public and strengthen brand recognition

  • Built user-friendly social media templates that help local businesses show up consistently and professionally online

  • Developed website layouts from concept to code, with working knowledge of CSS and HTML

Education

UNIVERSITY OF CONNECTICUT
Bachelor of Fine Arts 2014 | Communication Design

Skills

Adobe Creative Cloud
After Effects, Photoshop, InDesign, Illustrator, Lightroom & Acrobat

Figma

Claude AI

Microsoft 365

Asana

Slack

Confluence

Fluent in Lao & Thai

Achievements & Leadership

ESPN

Emmy award nomination for Best Live production Graphics in 2019

Appointed as lead in supporting diversity and inclusion initiatives within the content operations organization

Led company outreach for hospitalized children, achieving 30% departmental participation